Here In this BLOG WE Will DISCUSS about Weakness 

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Getting a good positional understanding is an important step to improving your play and becoming a stronger player. Studying the basic themes, seeing the positional masterpieces played by the great players and solving many exercises can help you in this direction. One of the most important concepts, which appears in probably every single game is weaknesses and understanding how to identify and use them in your advantage. Not only this, but you have to also try to create as little as possible in your position and know how to get rid of them if you have any.

A weak point is defined as a point in your opponent’s side of the board that cannot be defended by another pawn. This can be only a square that you can use for your pieces in the future or a pawn that can become a target of attack.

Although this idea seems easy to understand, things may not be so easy at first, when you are just starting to get acquainted with this concept. In this article, we want to clarify a few things about it and give you a few tips on how to use them in your favor.

1. Understand the weaknesses

First of all, it is very important to understand that weakness can be called this way only if it is possible for you to attack it. This idea is often overlooked; it is not important to identify weak points that cannot be used. Those are of no interest to us and therefore cannot even be called a “weakness”.

Get used to looking only for those points that you can eventually attack or that you can bring a piece on.

Here are two examples that clearly illustrate this idea:

In the position above, white is clearly better. Black has two important weaknesses in this position, the pawn on e6 and the square e5, that white can use to his advantage. He has already brought a knight to e5 and is slowly building pressure against the e6 pawn. Black’s position is cramped and he has to stay passive and defend.

If we look at this next position from white’s point of view, we may identify the square d6 and the pawn on e6 as weaknesses. However, none of them can be of any help to white whatsoever. With the light pieces off the board, the square d6 is unreachable, while with the e file closed, he cannot put any pressure on e6 either.

However, there is one important weakness in white’s camp and that is the pawn on d4, against which black can start putting pressure with his heavy pieces.

2. Find the second front of the attack

Having to defend only one point can be sometimes easy for your opponent. Yes, he will have to stay passive, but as long as he can hold his position together it may become difficult for you to find a way to break through. This is why it is important to find or create a second weakness.

With all his pieces tied up to the defense of one point already, it will be difficult for your opponent to switch to the defense of a second one. Combine threats against both of them and your attack is likely to succeed.

3. Don’t hurry

When you have obtained a position where you are totally in control and your opponent has no active ideas it is important to keep it this way. You don’t have to rush and try to win the game immediately by opening the position or creating unnecessary weaknesses in your camp.

Pay attention to your opponent’s ideas of counterplay; opening the position too much may give him chances to become active and, even though you may see that the computer’s evaluation is still very much in your favor, in a practical game it will be much more difficult to win.

Don’t give your opponent any practical chances that force you to find exact moves in order to convert your advantage. Instead, keep building the pressure and improve your pieces and wait for the right moment to strike.

Principle Of 2 WEAKNESS

Many of you may have read before about the principle of two weaknesses, but for beginners, it might still be a concept difficult to apply, although very easy to remember. This principle is the most important one to remember in positions when you’re trying to materialize an advantage, either material or positional.

When your opponent has only one problem to take care of, he can use all of his resources to defend that area, while if you create another front of attack, a second weakness, his resources become less efficient and his position will quickly deteriorate. That’s how it works. It is also important to acknowledge that if you only have one weakness, your position will likely be defendable, even if your opponent has the advantage; it may not be enough for him to win.

That’s how it works. It is also important to acknowledge that if you only have one weakness, your position will likely be defendable, even if your opponent has the advantage; it may not be enough for him to win.

It may sound simple, but it is not so easy to sense the moment in which you can apply this logic. In the following examples, we hope to shed some light on this subject.

In the diagram above we can see that white not only has a spatial advantage but also that the black pieces lack coordination; to be more precise, the knight looks very awkward on b5. On the other hand, black doesn’t have any visible weakness, so white must first create them in order to increase his advantage. See more details below:

Chess requires that we look for weaknesses in our opponent's positions while keeping ourselves out of weak positions. As always, the game remains a balance of attacking and defending. A weakness is simply a flaw in a position that we can exploit. These weaknesses can be anything from an open line to poor piece placement to overworked pieces. Depending on what stage we are at in the game we will see different weaknesses in our opponent.

Balancing these weaknesses or playing one weakness against another is the heart of chess. This means that you may want to sacrifice game tempo to create a weakness on your opponents castled king or that you may want to attack your opponents king and trade pieces in order to gain an advantage for the end game. It is said that at least two weaknesses are required to win a chess game. The idea behind this is that as you attack your opponent's weakness, and he or she defends that weakness, your opponent will create another weakness elsewhere on the board. As the game progresses you need to be able to identify the weaknesses that your opponent presents while not creating too many of your own weaknesses.

A common weakness that you will see is an over extended attack by your opponent. If your opponent focuses too much attention on one area of your defense and you are able to sustain your defense, your opponent will have left many weaknesses that you can exploit. The more you play chess and the more that you are looking for weaknesses the more you will recognize them. All games have weaknesses on both sides; we just do not always notice the weaknesses due to inexperience or being unaware of what to look for.  Spend time examining game play and try to find weaknesses that you can use to your advantage.

How to create weaknesses in your opponent’s game.

Create squares that can be occupied by your pieces without fear of being attacked/expelled by pawns.

Create a positional weakness i.e. break up opponent’s pawn structure.

 - create isolated pawn(s)

 - doubled pawns at certain locations

 - backward pawns

(These pawns commonly lose their freedom to advance, attack or defend.)

Created unprotected squares or pieces at opponent.

Create multiple pieces in opponent that needs the support of one major piece only. There by overworking the major piece itself.

Open lines for yourself is a weakness to your opponent.

Weigh your own possible weaknesses against each other. You can’t win the game without allowing some weaknesses on your own side.

Be careful and watch out that your opponent might try to do the same.