Arcturus_SS writes: Any variations or traps that you can utilize. I'm using the advance Euwe variation and the Rozman French Defense now and I'm not sure ifthere's anything I can change or improve on.
The Euwe variation against the advance, which goes 1.e4 e6 2.d4 d5 3.e5 c5 4.c3 Nc6 5.Nf3 Bd7, is a large, complex, and solid line against the advance. Some writers even give it as 5...Bd7! Its purpose is to discourage white from playing the natural 6.Bd3 because of ...cxd5 7.cxd5 Qb6 when the d pawn is under attack because the position of the bishop blocks the white queen from defending it.
Obviously, a strong line. But, the question is: Do you like the kind of middlegame positions that you get out of it? If you do, then stay with it. If you're looking for something sharper then play Qb6 at either move 4 or 5 with a somewhat more confrontational game. I have played both, but currently prefer 4...Qb6. As so often in the openings, it's a matter of taste.
I've been playing the French for a long time, but I'd never heard of the "Rozman French". So I looked it up and saw Levy Rozman's video on it. BTW, I enjoyed it very much. And, it's easy to understand its allure. It offers the potential of a sharp, imbalanced counterattack against 3.Nc3 or 3.Nd2. It seeks to grab the initiative from the beginning, and arms the newcomer with not only a plausible scheme of development, but with an aggressive middlegame plan.
It reminded me of something, but I couldn't think of it immediately. Then I remembered. In a fine book by Jonathan Edwards on his correspondence career, he mentions an opponent named Harold Stenzel , who developed his own off-beat system in the French and played it many hundreds of times. What it has in common with Rozman's system is the development scheme of ...dxe4, ...Nc6, ...b6, ...Bb7, ...Qd7, ...0-0-0. The only difference is that Stenzel delays the development of the g8 knight, with the idea of playing it to e7 in some lines.
For those who don't know what we're talking about, the Rozman French consists of 1.e4 e6 2.d4 d5 3.Nc3/d2 dxe4 4.Nxe4 Nf6 5.Nxf6+ gxf6 followed by the development and queenside castling scheme just mentioned. The Stenzel French omits 4...Nf6.
A problem I have with the "Rozman" is that it requires white to be too cooperative. The first time I saw it I thought, what about 5.Bd3 or 5.Bg5 leading back to the mainline Rubinstein variations? Of course, Rozman may have another video explaining that, but I haven't seen it. Another problem is that it's strategically very narrow. It seems to have a one-size-fits-all approach to the middlegame, which is so different from the rich strategic complexity of the rest of the French. It's not a symphony but a jingle.
However, if you're really a newcomer, then any plan is better than no plan. If it gives you confidence, then play it, just be prepared if white doesn't cooperate, and don't expect any magic bullets.