True, well, except for the epic poem. Bakhtin does hate them epic poems!
Anyway, it's pretty much impossible to decide on an answer, and we shouldn't forget that Bakhtin does trace the history of the novel to all sorts of pre-novelistic discourses (reminding me I must grab some Menippean satire), and that the bawdy satire in Rabelais was hardly a new development. Is Hamlet a more decisive break with past literature, would probably be a more fruitful question.
That is a good question, and your previous post is making me rethink some of my basic premises about modernity and specifically what I mean by it when referring to works of lit.
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