Wow, and tied it back into chess at the very end.
I guess history is interesting like that. People in the past were as varied and multidimensional as we are today, so there's no single story, but a bunch of interwoven events, people and their interests.
I have been immersing myself in the old Irish ballad, "The Wearing of the Green" and the history behind it. Its quite powerful lyrics were put to the fiery the music which I suspect most people are familiar with.
Without getting too involved in the history, the song recounts or perhaps bemoans the persecution of the Irish rebels (The Society of United Irishmen) at the hands of the English during the 1798 Irish Rebellion. Remembering the successful American Revolution and the more recent, more radical French Revolution, the Irish, Protestant and Catholics together, fought a bitter but unsuccessful series of uncoordinated uprisings that resulted in much bloodshed. The color green and shamrocks were the identifying elements used by the rebels. Even before the rebellion, the leaders had mostly been rounded up and rather than wait around for the same fate, the wearers of the green proceeded with the uprisings haphazardly.
This isn't a sad song, but one of anger and perhaps regret.
For they're hanging men and women there for wearing of the green.
I always found it strange that another song about the same rebellion, "The Rising of the Moon," uses the exact same music.
"The Rising of the Moon" is about a sad and bitter loss as well as desperation. The rebels weren't an organized militia, but farmers and common workers for the most part. They had no money for muskets or ammunition nor the training to use them. They armed themselves with readily made pikes -- good weapons, but ineffective against a trained and experienced enemy with their bayonetted muskets.
For the pikes must be together at the rising of the moon.
Knowing this, they still fought. It might have been foolhardy bravery or just sheer desperation but there's something glorious in the notion, even considering the Irish penchant for the dramatic The tune used by "The Wearing of the Green" is a rousing one and to me unsuitable to sadness that permeates " The Rising of the Moon." Because of that, unless that tempo is slowed way down, I much prefer the entirely different take given by Judy Collins and even more so by Peter, Paul and Mary:
Their versions were derived from that of Richard Dyer-Bennet, recorded originally in 1951 on an album entitled simply, "Folk Songs." (Billboard mentions this album and lists all the tracts in July 14, 1951. p.62)
Interesting enough, "The Wearing of the Green" is an older song although it seems to have evolved for earlier poems before setting into its more-or-less present form in the mid 19th century and predated "The Rising of the Moon" as becomes obvious from this clipping out of "The Rising of the Moon, and Other Ballads, Etc." by John Keegan Casey who therein published his song in 1869:
Note that the air of "Wearing of the Green" was already well known and that "The Rising of the Moon" sought to appropriate it.
Even before Casey published his "At the Rising of the Moon" in 1869 to the air of "Wearing of the Green," the tune and lyrics were highjacked (in 1865) by another failed rebellion, that of the Confederate States of America.
[You may have noticed with a careful read that the song was published by A. E. Blackmar. This was indeed Armand Edward Blackmar of the well known Blackmar (-Deimer) Gambit.]